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Dance
Live Review

Review: Keir Choreographic Award Semi-Finals

Australia’s biggest choreographic competition remains a hotbed of experimentation.

March 10, 2020
Classical Music, Orchestral
Live Review

Review: Brahmsiana Festival: Symphony No 3 / No 4 (Tasmanian Symphony Orchestra)

An uneasy start redeemed by energetic, committed playing.

March 10, 2020
Classical Music, Orchestral
Live Review

Review: The Impresario (Australian Romantic & Classical Orchestra)

Exciting period performances of well-known classics alongside a 19th-century rarity.

March 9, 2020
Chamber, Classical Music
Live Review

Review: Catrin Finch and Seckou Keita (Utzon Music)

Two seemingly different worlds coalesce in music.

March 9, 2020
Classical Music, Orchestral
Live Review

Review: The Sound of History: Beethoven, Napoleon and Revolution (Adelaide Symphony Orchestra, Adelaide Festival)

An engrossing lesson in the historical and musical significance of Beethoven’s Eroica symphony in the composer’s 250th year.

March 8, 2020
Classical Music, Orchestral
Live Review

Review: Absolute Beethoven (West Australian Symphony Orchestra)

Beethoven and Adams make for an absolutely riveting combination.

March 8, 2020
Dance
Live Review

Review: Trois Grandes Fugues (Lyon Opera Ballet, Adelaide Festival)

Three leading female choreographers take on Beethoven’s Grand Fugue to thrilling effect.

March 8, 2020
Classical Music, Vocal & Choral
Live Review

Review: 150 Psalms: Celebration of Life (Adelaide Festival)

The final program in 150 Psalms demonstrated the excellence, precision and mastery of all singers involved.

March 6, 2020
Classical Music, Vocal & Choral
Live Review

Review: 150 Psalms: Path of Life & Power and Oppression (Adelaide Festival)

Pristine singing, but does it fulfil the project's aims?

March 6, 2020
Theatre
Live Review

Review: Hamlet (Bell Shakespeare)

An eloquent, stylish production, set in the 1960s, with a dazzling performance by Harriet Gordon-Anderson as Hamlet.

March 5, 2020
Chamber, Classical Music
Live Review

Review: A Tale of Two Cities (Selby & Friends)

Exciting performances of Stravinsky and Arensky kick off Selby & Friends' 2020 in style.

March 4, 2020
Chamber, Classical Music
Live Review

Review: Haveron, Breider, & Clerici with Daniel de Borah (Musica Viva Tasmania)

An evening of chamber music filled with passion, virtuosity, romance and sheer exuberance.

March 4, 2020
Opera
Live Review

Review: Der Fliegende Holländer (Metropolitan Opera, New York)

Gergiev's hand on the tiller makes heavy weather of Girard's new Dutchman.

March 4, 2020

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