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Classical Music
Live Review

Review: Dragon Ladies Don’t Weep (Chamber Made, Asia TOPA)

An avant-garde icon offers rare insights into what drives her.

March 2, 2020
Classical Music, Opera
Live Review

Review: Requiem (Adelaide Festival)

In an exciting start to the festival, this provocative production, with its stunning staging and symbolic imagery, will leave you pondering.

February 29, 2020
Classical Music, Orchestral
Live Review

Review: Vivaldi’s Venice (Australian Brandenburg Orchestra)

French harpist Xavier de Maistre brings flair and subtlety to Vivaldi's Venice.

February 27, 2020
Classical Music, Orchestral
Live Review

Review: Debussy & Ravel (Sydney Symphony Orchestra)

Seascapes, a wet acoustic, and a pianist who made a splash.

February 27, 2020
Dance
Live Review

Review: The Happy Prince (The Australian Ballet)

Graeme Murphy's new ballet is an imaginative feast for the eyes, igniting the senses, but it doesn't sustain emotional engagement.

February 26, 2020
Theatre
Live Review

Review: Dance Nation (State Theatre Company South Australia, Belvoir & Adelaide Festival)

A coming-of-age dance contest with a massive dose of teenage angst.

February 26, 2020
Live Review

Review: All-Mahler Program (Budapest Festival Orchestra, Lincoln Center)

Iván Fischer's thrilling, instinctual BFO Mahler Five shows us what all the fuss is about.

February 26, 2020
Classical Music
Live Review

Review: Soweto Gospel Choir (Adelaide Fringe)

Two years on, the Soweto Gospel Choir is soaring to even greater heights.

February 25, 2020
Opera
Live Review

Review: Hansel and Gretel (West Australian Opera, Perth Festival)

Fine performances and Sohan Ariel Hayes’ stunning visuals make for a magical Opera in the Park.

February 24, 2020
Dance
Live Review

Review: Hofesh in the Yard (STRUT Dance, Perth Festival)

An explosive double-bill from Perth’s own STRUT Dance.

February 24, 2020
Classical Music
Live Review

Review: Beethoven 9, Circa and Cheetham: Season Opening Gala (Melbourne Symphony Orchestra)

The MSO reached beyond the stars for its acrobatic opening gala.

February 24, 2020
Theatre
Live Review

Review: Crunch Time (Ensemble Theatre)

David Williamson's final new play deals with sibling rivalry and assisted dying, but too much is simply expounded upon.

February 24, 2020
Classical Music, Opera
Live Review

Review: Salome (Victorian Opera)

Soprano Vida Miknevičiūtė triumphs in this musically and visually exciting season opener.

February 24, 2020

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