The Omega Ensemble kicks off its 2020 with folk-infused trios.

This adaptation of Peter Goldsworthy’s novella is big-hearted but not fully realised in its look at love and death.

The SSO kicks off 2020 with mambos and marine life in a burlesque season opener.

A modest yet mostly satisfying production of Beethoven’s only opera.

WASO provides a fun array of sunny works and endlessly hummable tunes to gently coax its audience back into the concert hall.

Peter Mattei brings a Wozzeck-like intensity to Schubert's lost soul.

Sparks fly between Rose Byrne and Bobby Cannavale in Simon Stone's visceral modern Medea.

Alongside the golden oldies, not so old dogs deliver plenty of new tricks.

This intriguing, whacky cabaret-cum-sketch show whisks you into the subconscious.

This tribute concert to Dr G Yunupingu was a mesmerising, emotionally affecting sensation.

A new small-scale musical about a long-distance relationship is a promising calling card for its writers, though the story could be stronger.

This fun satire about 1950s domestic bliss is more style than substance.