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Chamber, Classical Music
Live Review

Review: Heartland (William Barton, Véronique Serret, Sydney Festival)

William Barton and Véronique Serret evoke an ever-shifting landscape that grips the audience from start to finish.

January 18, 2021
Supported by City of Sydney

Review: Musical Microparks (Ensemble Offspring, Sydney Festival)

The new music ensemble leads an innovative, thought-provoking, and moving tour through Erskineville, which addresses Australian identity.

January 16, 2021
Supported by City of Sydney

Review: Humans 2.0 (Circa, Sydney Festival)

Though the message is mostly opaque, the 10 glorious humans performing are something special.

January 16, 2021
Supported by City of Sydney

Review: Disruption! The Voice of Drums (Sydney Festival)

A sombre, sometimes explosive exploration of percussion set to the tense groove of US civil unrest.

January 14, 2021
Classical Music, Orchestral
Live Review

Review: The [Uncertain] Four Seasons (Sydney Symphony Orchestra, Sydney Festival)

Andrew Haveron braves wild weather as Vivaldi’s concertos are reimagined for the climate disaster of the 21st century.

January 13, 2021
Supported by City of Sydney

Review: Mambo Influenciado (Daniel Rojas, Ensemble Apex, Sydney Festival)

Daniel Rojas and Ensemble Apex celebrate Latin American sounds with new tangos and reinventions of old classics.

January 11, 2021
Theatre
Live Review

Review: Sunshine Super Girl (Performing Lines, Sydney Festival)

Andrea James’s biographical play about Evonne Goolagong Cawley tells an important story, cleverly staged on a tennis court.

January 10, 2021
Dance, Theatre
Live Review

Review: The Last Season (Force Majeure, Sydney Festival)

Inspired by Vivaldi's Four Seasons, there are some lovely visual and musical effects, but the production doesn't get to grips in real depth with the issues promised.

January 8, 2021
Supported by City of Sydney

Review: James Galea’s BEST TRICK EVER (Sydney Opera House)

You really won’t believe what James Galea and his band of merry magicians can do in a new Sydney Opera House revue.

January 8, 2021
Classical Music, Opera
Live Review

Review: Future Remains (Sydney Chamber Opera, Sydney Festival)

Janáček’s The Diary of One Who Disappeared is given an exquisite staging before a bold new work tears it to shreds in this intelligent and entertaining double bill from Sydney Chamber Opera.

January 7, 2021
Classical Music, Vocal & Choral
Live Review

Review: poem for a dried up river (Sydney Chamber Opera, Sydney Festival)

Jane Sheldon gives a gripping performance in a work that resonates powerfully with the climate crisis.

January 7, 2021
Supported by City of Sydney

Review: The Merry Widow (Opera Australia)

Julie Lea Goodwin is gorgeous as the merry widow Hanna Glavari, and perfectly supported by Alexander Lewis as Danilo Danilovich.

January 6, 2021
Theatre
Live Review

Review: A Midsummer Night’s Dream (Australian Shakespeare Company)

Melbourne’s first major theatre production in ages is an accessible alfresco romp.

January 4, 2021

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