Every element of Krzysztof Warlikowski’s production seems to work in perfect unison.

An utterly compelling performance by Russian pianist Yulianna Avdeeva.

The Australian Ballet shines in work old and new, plus a sassy Mao-inspired world premiere.

A well-chosen program of music from film that celebrated the power of the human voice.

A charming, wry comedy where actions speak louder than words.

A compelling, timely drama, if underdeveloped.

Ideal musical partnership yields master performances.

Expressions Dance Company serves up a second helping of this award-winning work by former AD Natalie Weir.

A performance of great energy and meticulous cohesion in every detail.

An astonishing performance.

The inclusion of Andrew Schultz's opera at CIMF was an inspired stroke.

Thanks to the dancing, this production is worth seeing, despite Greg Horsman’s cliché-ridden story-telling.