Review: Così (Melbourne Theatre Company)
A well cast rollercoaster ride through this Australian classic’s pathos and black comedy.
A well cast rollercoaster ride through this Australian classic’s pathos and black comedy.
Andreas Ottensamer and Mark Wigglesworth impress in intelligent double bill.
A spellbinding glimpse at a new era for the ground-breaking Brodsky Quartet.
Winther’s ambitious solo Bach journey was not without its perils.
Zahra Newman and Hugo Weaving give dazzling performances, but the production doesn’t entirely hit home.
Roland Peelman reveals the scope of his ambition for the CIMF's 25th anniversary in a spectacular opening concert.
Ako Kondo seems to float through the air in a divine performance as Giselle.
This production turns an unremarkable musical about the great showman into entertainment.
A great meeting of the sacred and the profane.
After a shaky start with Dvořák, the penultimate concert built to a jovial close with a work by Edgar Meyer.
Mystery and theatre abound in a vibrant finale to a satisfying weekend of high-quality music-making.
A new opera about William Buckley tells an incredible story, but the Indigenous characters are under-represented.
A polished contemporary take on some age-old dilemmas.