Graced by a uniformly excellent cast, Kate Champion’s assured directorship, bounteous humour, and an evocative, finely toned production, Kendall Feaver's adaptation of My Brilliant Career is, in a word, brilliant.
An early Christmas miracle sees Queensland end the year with full capacity theatres and an unexpected taste of The Nutcracker’s family tradition.
The Golem is a stupendous piece of theatre.
Two vastly different song cycles sung with nuance and flare by two very capable young singers in an intimate recital.
Comfort and joy from Pinchgut Opera, in a Christmas concert of interweaving colours and enchanting hues.
The Australian Voices finally return with a dazzling showcase of nine new works.
Staged as if in a circus big top, this exhilarating, magical production thrills and delights at every turn.
An enormously enjoyable production that recalls the madcap experiments with musical theatre launched out of the 1970s Australian New Wave theatre movement.
WASO brings its best to the table with a mighty yet relaxing performance.
Kip Williams' dazzling stage adaptation of Oscar Wilde's gothic melodrama, brilliantly performed by Eryn Jean Norvill, speaks to the here and now.
The final Wharf Revue under the STC banner is a night of frivolity and fast costume changes, where all that is puffed up in politics is satisfyingly pricked.
Four very different works by Jesse Scales, Chloe Leong, Joel Bray and Raghav Handa make for an absorbing evening.
A monumental and memorable musical climax, in defiance of the seven long months of silence.
