Review: Prince Igor (Paris Opera)
Barrie Kosky's company debut goes beyond shock value to the human drama at the heart of the opera.
Barrie Kosky's company debut goes beyond shock value to the human drama at the heart of the opera.
DiDonato and Nézet-Séguin make a bold case for a woman's-eye view of Schubert's winter journey.
A birthday feast celebrating the breadth and depth of a great career.
A generous helping of quality Rossini just in time for Christmas.
A concert version of Lei Lei’s opera, based on the famous Zhuang story, combines Chinese folk music with elements of western opera.
Hayden Tee delivers some powerhouse musical theatre numbers, and is also touchingly candid in his personal stories.
Brett Weymark wrangles 600 singers to give this Christmas favourite power and nuance.
Richard Jones's bravura staging of Ödön von Horváth's morality tale holds up a mirror to our times.
Sam Weller and his Ensemble Apex musicians sure know how to put on a show.
Only the most mean-spirited Grinch could resist this concert’s majestic joie de vivre.
A stimulating concert featuring Australian or world premieres by five female composers.
A fine, individual artist, but the programming needs some work.
Ingenious staging and a committed ensemble bring the big, sweeping story to vibrant life in the tiny theatre.