Review: Yulianna Avdeeva performs Chopin’s Piano Concerto No.1 (Sydney Symphony Orchestra)
An utterly compelling performance by Russian pianist Yulianna Avdeeva.
May 16, 2019
Review: The Australian Ballet (Joyce Theater, New York)
The Australian Ballet shines in work old and new, plus a sassy Mao-inspired world premiere.
May 15, 2019
Review: Music from the Movies (Sydney Philharmonia Choirs)
A well-chosen program of music from film that celebrated the power of the human voice.
May 14, 2019
Review: Small Mouth Sounds (Darlinghurst Theatre Company)
A charming, wry comedy where actions speak louder than words.
May 13, 2019
Review: Water (Black Swan State Theatre Company)
A compelling, timely drama, if underdeveloped.
May 13, 2019
Review: Andreas Ottensamer and Alex Raineri (Recitals Australia)
Ideal musical partnership yields master performances.
May 13, 2019
Review: The Dinner Party (Expressions Dance Company)
Expressions Dance Company serves up a second helping of this award-winning work by former AD Natalie Weir.
May 13, 2019
Review: Branford Marsalis (Australian Chamber Orchestra)
A performance of great energy and meticulous cohesion in every detail.
May 13, 2019
Review: Goldberg Variations/Variations (Canberra International Music Festival)
An astonishing performance.
May 13, 2019
Review: The Children’s Bach (Canberra International Music Festival)
The inclusion of Andrew Schultz's opera at CIMF was an inspired stroke.
May 11, 2019
Review: La Bayadère (West Australian Ballet)
Thanks to the dancing, this production is worth seeing, despite Greg Horsman’s cliché-ridden story-telling.
May 11, 2019
Review: Cornucopia (Björk, The Shed)
The Icelandic songsmith's latest, sprawling, multimedia extravaganza is a cornucopia indeed.
May 11, 2019
Review: Fond Farewells (Adelaide Symphony Orchestra)
A concert which will be talked about for some time.
May 10, 2019