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Opera
Live Review

Review: The Magic Flute (Komische Oper Berlin, Perth Festival)

A delightful production that is as intoxicating as Papageno's pink cocktail, while acknowledging the darker elements in Mozart's opera.

February 21, 2019
Classical Music, Opera
Live Review

Review: Parsifal (Victorian Opera)

A musically excellent, perceptively designed and directed production of Wagner’s final opera.

February 21, 2019
Opera, Orchestral
Live Review

Review: Ned Kelly (Lost & Found Opera, Perth Festival)

Luke Styles’ strong score is impressive in this new chamber opera, though the storytelling could be developed.

February 20, 2019
Classical Music
Live Review

Review: Lunar New Year: Memories from Childhood (Southern Cross Soloists)

A vibrant and eclectic blend of two contrasting cultures to create a unique and exhilarating concert.

February 18, 2019
Theatre
Live Review

Review: Gulliver’s Travels (Adelaide Fringe)

Gulliver upside down and inside out – a Lilliputian tale with a big heart.

February 18, 2019
Theatre
Live Review

Review: Games by Henry Naylor (Adelaide Fringe)

Games by Henry Naylor is a powerful intrigue based on a true story.

February 18, 2019
Chamber, Classical Music
Live Review

Review: VDB with Thomas Flint (Van Diemen’s Band)

Proof, should it be needed, that music truly does transcend time and space.

February 18, 2019
Live Review

Review: A History of Early Blues (Adelaide Fringe)

Intriguing and enjoyable – but more jam session than show.

February 18, 2019
Theatre
Live Review

Review: Death of a Salesman (Queensland Theatre)

Queensland Theatre opens its 2019 season with an unforgettable production of Arthur Miller’s award-winning classic.

February 18, 2019
Chamber, Classical Music
Live Review

Review: Beethoven’s Trio (Omega Ensemble)

Omega Ensemble's intimate launch with a trio of trios.

February 18, 2019
Classical Music
Live Review

Review: King Arthur (Gabrieli Consort and Players)

Britain’s renowned Baroque ensemble cut to the musical chase of Purcell’s semi-opera, with beautiful if not Arthurian results.

February 18, 2019
Theatre
Live Review

Review: The Moors (Siren Theatre Co)

A zany, satirical take on the Victorian gothic romance, with overt nods to the Brontë sisters.

February 17, 2019
Classical Music
Live Review

Review: Heavenly (Queensland Symphony Orchestra)

QSO's first concert for 2019, with pianist Paul Lewis, lives up to its name.

February 17, 2019

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