Review: Tchaikovsky Violin Concerto (Tasmanian Symphony Orchestra)
Benjamin Beilman, Giordano Bellincampi and the TSO deliver a truly outstanding evening of music.
March 11, 2019
Review: Scottish Fantasy (Sydney Symphony Orchestra)
Asher Fisch paints vivid musical landscapes in the SSO's Scottish concert.
March 7, 2019
Review: The Miser (Bell Shakespeare)
Justin Fleming's writing is ingenious, but a pacier, more energetic production would heighten the play's impact.
March 7, 2019
Review: Salome (Opera Australia)
Lise Lindstrom's potent Salome sweeps everything in her wake.
March 7, 2019
Review: Trio Mediaeval (Adelaide Festival)
Trio Mediaeval and trumpeter Arve Henriksen offer a taste of how Vikings might have sung and composed.
March 7, 2019
Review: Out Of Chaos… (Adelaide Festival, Gravity & Other Myths)
A circus spectacular of acrobatic virtuosity.
March 6, 2019
Review: Two Feet (Adelaide Festival)
Meryl Tankard's remarkable solo work from 1988 has been remade in exquisite fashion with prima ballerina Natalia Osipova now starring.
March 4, 2019
Review: Mozart, Haydn, and More (ACO Collective)
A thought-provoking journey through music old and new – and back again.
March 4, 2019
Review: Palmyra (Adelaide Festival)
Nasi Voutsas and Bertrand Lesca's tense, comic two-hander draws the audience in and makes it complicit.
March 4, 2019
Review: Beethoven and Mozart (Tasmanian Symphony Orchestra)
After a few initial distractions, a riveting performance with Richard Tognetti as conductor, director and soloist.
March 4, 2019
Review: Uncle Vanya (Adelaide Festival, La Mama)
An immersive and magical experience where Chekhov meets Heysen.
March 4, 2019
Review: Sretensky Monastery Choir (Adelaide Festival)
The Sretensky Monastery Choir brings a powerful sound to sacred and secular Russian music.
March 4, 2019
Review: Thirteen Ways to Look at Birds (Adelaide Festival)
Paul Kelly, James Ledger, Seraphim Trio and Alice Keath give us an evening of genre-blending bird songs.
March 3, 2019