Review: La Passion de Simone (Sydney Chamber Opera, Sydney Festival)
Australians make a strong case for Saariaho’s well-travelled oratorio, but can’t entirely overcome the work's curiously dissatisfying nature.
Australians make a strong case for Saariaho’s well-travelled oratorio, but can’t entirely overcome the work's curiously dissatisfying nature.
Full of stage magic and illusion, HOME at the Sydney Festival offers a touching look at the intimate moments that make a house a home.
Omar Musa’s politically-charged show tells pointed, moving personal stories about life in Australia today.
A cast of uncommon distinction headed by Joyce El-Khoury's powerful Mimì makes this revival feel anything but routine.
A refined sound from the orchestra, with stellar soloists and deft work from the Adelaide Chamber Singers.
The production is beginning to show its age, but the dancers bring it to life with joyous exuberance.
Does this treasured Christmas tradition need a little more TLC?
A final concert full of vitality, with guest star Erin Helyard.
The Australian Brandenburg Orchestra's annual tradition kicks off the Christmas season.
With no fewer than five world premieres, Alicia Crossley and the Acacia Quartet invite the audience into a world of musical story-telling.
Ksenija Sidorova serves up a sizzling accordion feast from Bach to Piazzolla with Schnittke to follow.
Celebrating the vinyl record from the Velvet Underground to Cat Hope.
The American mezzo delivered a Baroque rockstar performance, but the Orchestra of the Antipodes was no mere backing band.