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Theatre
Live Review

Review: Mary Stuart (Sydney Theatre Company)

Kate Mulvany's adaptation places both queens centre stage, providing an excavation of their shared humanity and grave shortcomings.

February 11, 2019
Classical Music, Instrumental, Opera
Live Review

Review: Freddy Kempf (Utzon Music Series)

A musical Russian arc from a modern English maestro.

February 11, 2019
Classical Music, Orchestral
Live Review

Review: WASO’s Favourites (West Australian Symphony Orchestra)

WASO's 2019 season gets off to a fun, flying start.

February 10, 2019
Dance
Live Review

Review: The Great Tamer (Dimitris Papaioannou, Perth Festival)

A spectacle of visual design and unspoken storytelling.

February 10, 2019
Classical Music, Vocal & Choral
Live Review

Review: An Intimate Evening with Brahms (Sydney Philharmonia Choirs)

A splendid start to the season, with storytelling at the forefront.

February 9, 2019
Classical Music, Orchestral
Live Review

Review: 2019 Season Opening Gala (Sydney Symphony Orchestra)

The SSO goes wild in a festive season opening gala to mark the start of David Robertson's final year.

February 9, 2019
Dance
Live Review

Review: Sunset (STRUT Dance/Maxine Doyle)

An immersive dance-theatre work filled with drama and intrigue.

February 8, 2019
Theatre
Live Review

Review: The Lady in the Van (Melbourne Theatre Company)

The indomitable Miriam Margolyes shines as the real-life vagrant who lived in playwright Alan Bennett’s front yard for 15 years.

February 8, 2019
Theatre
Live Review

Review: The Rise and Fall of Little Voice (Darlinghurst Theatre Company)

Geraldine Hakewill is heartbreaking as LV, with Caroline O’Connor in fine form as her bulldozer of a mother.

February 7, 2019
Theatre
Live Review

Review: The Wolves (Belvoir St Theatre)

A rich portrait of a girls’ indoor soccer team that captures all the awkwardness, pain and joy of soon to be shed adolescence.

February 7, 2019
Classical Music, Opera
Live Review

Review: Bernstein: A Quiet Place (Montreal Symphony Orchestra and Chorus/Nagano)

Written during the most exasperating period of his compositional career, Bernstein’s opera A Quiet Place reflected all of his then current excesses.

February 5, 2019
Classical Music, Opera
Live Review

Review: The Flying Dutchman (Melbourne Opera)

A ghost ship worth catching before it sails away later this week.

February 4, 2019
Classical Music, Orchestral, Vocal & Choral
Live Review

Review: Arvo Pärt & JS Bach (Australian Chamber Orchestra)

The ACO and the Estonian Philharmonic Chamber Choir interweave Bach and Pärt with ethereal beauty.

February 3, 2019

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