The orchestra achieved a stunning level of power in Dvořák's Ninth.

A grand undertaking of migrant stories.

A dream cast, sublime design, charming music and assured direction deliver a delightful end-of-year Shakespearian romp.

David Robertson's Mahler Five suggests just how much the SSO has assimilated Mahler into its DNA.

At first sight poles apart, Jenny Lin draws out the parallels between a minimalist icon and a Russian iconoclast.

An insistence on the big effect comes at the expense of effective theatre.

An imperfect realisation of Wagner’s comedy, but the music making more than compensates.

Omega’s gumboots are made for dancing.

A concert all the more interesting for its elements of surprise.

These Serenata concerts are not only a delight to experience but also represent an essential home-grown component of our soul.

Songs became heartfelt, sometimes humorous theatre in the hands of a masterful actor-singer, who gripped the audience in this intimate concert.

Beethoven irrefutably was Richard Tognetti’s own.