Review: Tognetti’s Beethoven (Australian Chamber Orchestra)
Beethoven irrefutably was Richard Tognetti’s own.
Beethoven irrefutably was Richard Tognetti’s own.
New short works from two of Melbourne’s emerging contemporary choreographers.
Sarah Peirse is masterful as a Miss Docker we'll all recognise.
Five years on, the monkey's back and bigger than ever. But is it any better?
With a bit of trimming and a more energetic, full-voiced realisation of the songs and the text, this piece would shine.
Claire Edwardes unveils James MacMillan's latest percussion concerto and David Robertson gives us a cracker of a Beethoven 7.
A distinctly Italian flair, combined with assured work by the principals, makes for a beautiful night of ballet.
Acclaimed soloists join forces for a program of musical brilliance and passion.
This new commission gives an old story an entertaining makeover with style-hopping music, comedy and feminist attitude.
Thrilling take on Glass’s celebration of passive resistance will have you spinning cartwheels.
Refined playing from Cuban gambist Lixsania Fernandez while Shaun Lee-Chen navigates Locatelli's treacherous labyrinth.
Zahra Newman commands in this keen dissection of grief.
Sarah Grunstein's boisterous Goldbergs are far from soporific.