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Opera
Live Review

Review: La Cenerentola (Opera Queensland & Queensland Symphony Orchestra)

Opera Queensland has a winner here, beautifully performed and superbly timed for comedy.

March 5, 2025
Festivals
Live Review

Review: I Am Woman (Adelaide Fringe)

Amelia Ryan and Libby O’Donovan celebrate the women who made it in the rock and pop music industry – and those who fell victim to it.

March 4, 2025
Vocal & Choral
Live Review

Review: Soweto Gospel Choir – Hope (Adelaide Fringe)

In troubling times, the Soweto Gospel Choir reminds us that freedom has a face and a history.

March 4, 2025
Chamber, Classical Music
Live Review

Review: Phoenix Collective (Utzon Room, Sydney Opera House)

Phoenix Collective rises to the occasion with its wide-ranging Sydney Opera House debut.

March 4, 2025
Dance
Live Review

Review: One Single Action in an Ocean of Everything (Lucy Guerin Inc & Adelaide Festival)

An evening of highs and lows at Adelaide Festival. Sometimes, writes Deborah Jones, things just don't work out.

March 3, 2025
Chamber, Classical Music, Vocal & Choral
Live Review

Review: Vivaldi’s Vespers (Brisbane Chamber Choir & Players)

A finely crafted exposition of Vivaldi's largely ignored amalgam of four sacred works.

March 3, 2025
Classical Music
Live Review

Review: Ryman Healthcare Opening Gala: Mahler’s Resurrection Symphony (Melbourne Symphony Orchestra)

Under Jaime Martín's baton, the MSO prioritised clarity and precision, allowing Mahler’s meticulous orchestration to speak for itself.

March 3, 2025
Chamber, Classical Music
Live Review

Review: Goldberg Variations performed by Erin Helyard (Pinchgut Opera)

Erin Helyard takes us on a fantastic journey through Bach’s Baroque universe.

March 3, 2025
Classical Music
Live Review

Review: Baroque Echoes (La Compañia & Melbourne Arts Centre)

Early-music specialists and soprano Jacqueline Porter present a rare display of 17th century Gaelic and English tunes.

March 2, 2025
Theatre
Live Review

Review: Night Night (The Last Great Hunt)

An enjoyable Antarctic romp from Perth's The Last Great Hunt, with more than a touch of Wes Anderson's The Life Aquatic to it.

March 2, 2025
Dance, Festivals
Live Review

Review: Mass Movement (Stephanie Lake Company, The Australian Ballet & Adelaide Festival)

Bringing together 1,000 volunteers, Stephanie Lake’s one-off, site-specific happening is a hypnotic celebration of community and the joy of dance.

March 2, 2025
Theatre
Live Review

Review: Krapp’s Last Tape (Landmark Productions & Adelaide Festival)

Irish actor Stephen Rea delicately explores the nooks and crannies of Samuel Beckett's rueful monodrama.

March 2, 2025
Classical Music
Live Review

Review: Simone Young conducts Elgar & Vaughan Williams (Sydney Symphony Orchestra)

SSO Concertmaster Andrew Haveron is a violin god hiding in plain sight.

March 1, 2025

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