Review: Opera for the Dead 祭歌 (Asia TOPA & Arts Centre Melbourne)
A bold and dazzling "cyber-opera" reimagines grief through music, movement and mesmerising visuals.
A bold and dazzling "cyber-opera" reimagines grief through music, movement and mesmerising visuals.
Hans throws himself the a raucous birthday party. Pass-the-parcel included.
Joan Lindsay’s 1967 novel Picnic at Hanging Rock transformed into an electrifying post-modern ripping yarn.
QSO and Brisbane’s ingenious Circa reached stratospheric heights in a world first circus interpretation of Stravinsky's The Rite of Spring.
In Larsen C, choreographer Christos Papadopolous reveals a creative impulse that is unique, visually intriguing and virtuosic.
Simone Young wields her magic Mahler wand to set the SSO’s new season on its way.
Never Have I Ever's central question is one that reverberates through contemporary discourse: Who, exactly, has it the worst?
Director Robyn Nevin delivers more good old-fashioned British intrigue and murder with her second Agatha Christie play.
Andrew Bovell distills a century of political violence and secrecy into the story of a Madrid family struggling with its demons.
A stark staging at Red Stitch leaves Joanna Murray-Smith's divorce drama out in the cold.
This G&S classic, performed by a cast of just five, is wonderfully silly, joyous fun, even though the second act could do with some finessing.
This new play by Patricia Cornelius explores the importance and price of dissent with varied impact.
This rollercoaster satire on the current state of American politics makes for a wildly entertaining ride.