Review: Shànghǎi MiMi (Sydney Festival)
The Paris of the East glitters seductively in Sydney's West.
The Paris of the East glitters seductively in Sydney's West.
It's maybe not as thrilling a show as some of Willy Wonka's confectionery, but there's plenty to enjoy.
A well-crafted piece of theatre that requires a constant negotiation of what it means to be an audience member.
Australians make a strong case for Saariaho’s well-travelled oratorio, but can’t entirely overcome the work's curiously dissatisfying nature.
Full of stage magic and illusion, HOME at the Sydney Festival offers a touching look at the intimate moments that make a house a home.
Omar Musa’s politically-charged show tells pointed, moving personal stories about life in Australia today.
A cast of uncommon distinction headed by Joyce El-Khoury's powerful Mimì makes this revival feel anything but routine.
A refined sound from the orchestra, with stellar soloists and deft work from the Adelaide Chamber Singers.
The production is beginning to show its age, but the dancers bring it to life with joyous exuberance.
Does this treasured Christmas tradition need a little more TLC?
A final concert full of vitality, with guest star Erin Helyard.
The Australian Brandenburg Orchestra's annual tradition kicks off the Christmas season.
With no fewer than five world premieres, Alicia Crossley and the Acacia Quartet invite the audience into a world of musical story-telling.