Review: The Masters Series (Queensland Ballet)
Queensland Ballet delivers an array of light and shade in a masterful display.
May 20, 2019
Review: Cloudstreet (Malthouse Theatre)
This ambitious dive into the Australian psyche struggles with the novel’s epic complexity and mystery.
May 20, 2019
Review: CSO Opera Gala (Canberra Symphony Orchestra)
An entertaining concert that gave a potted history of opera stretching back some 400 years.
May 20, 2019
Review: The Line (Co3)
This three-hander about the infamous colour bar in several WA settlements is one of the company's best.
May 20, 2019
Review: American Psycho The Musical (BB Arts & Two Doors Productions)
Alexander Berlage kills it with a sensationally staged production.
May 19, 2019
Review: Lady Macbeth of Mtsensk (Paris Opera, Palace Cinemas)
Every element of Krzysztof Warlikowski’s production seems to work in perfect unison.
May 17, 2019
Review: Yulianna Avdeeva performs Chopin’s Piano Concerto No.1 (Sydney Symphony Orchestra)
An utterly compelling performance by Russian pianist Yulianna Avdeeva.
May 16, 2019
Review: The Australian Ballet (Joyce Theater, New York)
The Australian Ballet shines in work old and new, plus a sassy Mao-inspired world premiere.
May 15, 2019
Review: Music from the Movies (Sydney Philharmonia Choirs)
A well-chosen program of music from film that celebrated the power of the human voice.
May 14, 2019
Review: Small Mouth Sounds (Darlinghurst Theatre Company)
A charming, wry comedy where actions speak louder than words.
May 13, 2019
Review: Water (Black Swan State Theatre Company)
A compelling, timely drama, if underdeveloped.
May 13, 2019
Review: Andreas Ottensamer and Alex Raineri (Recitals Australia)
Ideal musical partnership yields master performances.
May 13, 2019
Review: The Dinner Party (Expressions Dance Company)
Expressions Dance Company serves up a second helping of this award-winning work by former AD Natalie Weir.
May 13, 2019