Review: Parsifal (Victorian Opera)
A musically excellent, perceptively designed and directed production of Wagner’s final opera.
A musically excellent, perceptively designed and directed production of Wagner’s final opera.
Luke Styles’ strong score is impressive in this new chamber opera, though the storytelling could be developed.
A vibrant and eclectic blend of two contrasting cultures to create a unique and exhilarating concert.
Gulliver upside down and inside out – a Lilliputian tale with a big heart.
Games by Henry Naylor is a powerful intrigue based on a true story.
Proof, should it be needed, that music truly does transcend time and space.
Intriguing and enjoyable – but more jam session than show.
Queensland Theatre opens its 2019 season with an unforgettable production of Arthur Miller’s award-winning classic.
Omega Ensemble's intimate launch with a trio of trios.
Britain’s renowned Baroque ensemble cut to the musical chase of Purcell’s semi-opera, with beautiful if not Arthurian results.
A zany, satirical take on the Victorian gothic romance, with overt nods to the Brontë sisters.
QSO's first concert for 2019, with pianist Paul Lewis, lives up to its name.
This comedy about an inept amateur production feels a bit predictable, but there’s still fun to be had along the way.