Review: The Rape of Lucretia (VO & TSO for Dark Mofo)
Gender-swap aside, this is an important, deeply moving opera at a time when we need to continue these conversations.
Gender-swap aside, this is an important, deeply moving opera at a time when we need to continue these conversations.
With the help of a sparkling misfit ensemble, Charly Zastrau and Ali McGregor have created a seamless, incisive tribute to the American singer-songwriter.
A gripping production and fine acting count for much, but this Siegfried is still holding out for a hero.
Sydney underbelly and Adelaide jazz songstress/composer were an almost perfect match.
Sir Andrew Davis breaks a nearly 50-year drought and brings MSO back to some beautiful Berlioz.
The Queen of the Violin delivers warm, brilliant performances with plenty of personality.
A strongly cast production with real gravitas makes for a very fine second instalment in Wagner's Ring Cycle.
A finely cast Rheingold makes an appropriately glittering start to Zambello's 'American' Ring.
Thriving in a bigger theatre, Dean Bryant's taut, inventive production of Assassins is a must see.
Nicolas Altstaedt and friends cap off a highly successful UKARIA 24 with a double bill of Schumann and Brahms.
Emma Rice ensures Marc and Bella Chagall's colourful life soars as high as a kite.
From gorgeously ornate audiovisual storytelling, to endlessly inventive rough theatre.
Only Lea Delaria can seamlessly interpose gentle intelligent lounge jazz with candid sexuality.