Review: Greek (Scottish Opera, Brooklyn Academy of Music, Next Wave Festival)
Turnage’s razor-sharp take on Berkoff’s take on Sophocles still packs a f**king punch.
Turnage’s razor-sharp take on Berkoff’s take on Sophocles still packs a f**king punch.
A fabulous, two-part show that honours the life and legacy of David Page in all his various guises.
Between classic Xenakis and contemporary Australian fare, Ensemble Offspring's Lone Hemisphere was one for the fans.
Markus Stenz reunites with the MSO in a colourful and charismatic end to the season.
Graeme Murphy's sparkling production of The Merry Widow is sure to please Adelaide audiences.
Shimmering pas de deux between the Prince and Cinderella, and deliciously witty choreography for the stepmother and stepsisters make a great holiday treat.
The stage adaptation of Hitchcock’s spy thriller strikes a balance between suspense and slapstick in its Queensland premiere season.
Strong music making, including a compelling performance by Vivica Genaux, is hampered by hands-off direction.
Fine performances and a clever production aren't enough to make you fall in love.
Barenboim caps off his Australian performances with a revelatory Eroica.
Daniel Barenboim brings his Brahms cycle with the Staatskapelle Berlin to a stunning conclusion.
In a masterful first performance, Daniel Barenboim and the Staatskapelle Berlin prove the audience is in good hands for this Brahms odyssey.
These concerts are a celebration of what musicians have to offer the world.