Review: The Wizard of Oz (John Frost & Suzanne Jones)
A visually stunning, traditional production of the much-loved, classical musical.
November 10, 2017
Review: Violin (Canberra Symphony Orchestra)
Violinist Harry Bennetts delivers an excellent Tchaikovsky Concerto.
November 9, 2017
Review: Quattro (Selby & Friends)
Beautiful playing from Kathryn Selby and an SSO crack-squad.
November 8, 2017
Review: Solomon (St George’s Cathedral Consort)
The Queen of Sheba's long-awaited Perth arrival doesn't disappoint.
November 7, 2017
Review: Atlantis (Belvoir)
Lally Katz’s sprawling epic is a wild ride with plenty of heart.
November 2, 2017
Review: Peter Pan (Queensland Ballet)
QB sprinkles the stage with magic in its revival of Trey McIntyre's ballet.
October 30, 2017
Review: Esther (Handel in the Theatre)
Some very good singing in this admirable venture was let down by the venue.
October 29, 2017
Review: Bittersweet Obsessions (Australian Brandenburg Orchestra)
Constantine Costi presents a touching and zany triptych of works by Monteverdi and Bach.
October 28, 2017
Review: The Merchant of Venice (Bell Shakespeare)
An intelligent, lucid production that gets the balance between comedy, cruelty and pathos just right.
October 28, 2017
Review: Sibelius & Mahler (Sydney Symphony Orchestra)
Janine Jansen and Thomas Søndergård take on two titans.
October 26, 2017
Review: Anna Netrebko & Yusif Eyvazov (Frontier Touring)
Netrebko reigns supreme in beautifully crafted programme of opera highlights.
October 26, 2017
Review: Jayson Gillham performs Romantic Bach
Gillham puts the romance back into Bach with a little help from his transcribers.
October 25, 2017
Review: Madama Butterfly (Opera Australia)
This farewell to Moffatt Oxenbould's beautiful production takes time to soar emotionally.
October 25, 2017