Sharp, humorous performances give a dated musical plenty of life.

Not so much a new music tasting plate as a sumptuous multi-course banquet.

Kate Mulvany's adaptation of Ruth Park’s monumental trilogy of novels soars.

A feast of Russian music, conducted by Sarah-Grace Williams, attracts a full house.

This theatre piece about Death is ingenious and thought-provoking but still has some way to go to reach its full potential.

Messiaen's Quartet for the End of Time the centrepiece in a concert that left the audience far from tormented.

Alban Gerhardt brings Dean's colourful new Cello Concerto to life with subtlety and fire.

A ‘sequel-of-sorts’ to Ibsen’s groundbreaking play, this new work is capably interpreted but fundamentally lacking in subtlety and complexity.

An orchestra’s 90th birthday celebration is an astonishing gift to audiences and a triumph of music making.

This theatrical conceit has some rich ideas but falls short of orbit.

One of Sydney's most exciting young orchestras, Ensemble Apex brings a party atmosphere to Sydney's Lower Town Hall.

ARCO gets Romantic in a program spanning Mendelssohn to Puccini.