Review: Seven Deadly Sins (Sydney Conservatorium of Music)
Fine music making plumbs tales of hardship, trauma and dislocation.
August 6, 2017
Review: Sublime Schubert (Australian Festival of Chamber Music)
Francis Gouton and the Orava Quartet tackle a Schubert mammoth.
August 5, 2017
Review: Homeward (Australian String Quartet)
Thrilling Britten and Stanhope leave Dvořák in their wake.
August 4, 2017
Review: From Russia with Love (Australian Festival of Chamber Music)
A Rolls Royce line up takes a musical Winter Palace by storm.
August 4, 2017
Review: BLUE: The Songs of Joni Mitchell (Queen van de Zandt)
A beguiling night of melancholic songs, poetic storytelling and haunting vocals.
August 4, 2017
Review: Bach by Candlelight (Australian Festival of Chamber Music)
It’s Bach, Jim, but not always as we know it.
August 3, 2017
Review: Turangalîla-Symphonie (Australian World Orchestra, ANAM)
Playing of a première ordre from Simone Young and the AWO.
July 30, 2017
Review: Velvet – A Divine Discotheque Circus
A glittering, intoxicating love song to the disco era.
July 28, 2017
Review: Schubert’s Trout (Omega Ensemble)
Tasty Trout gets a flavoursome grilling, if not quite a flambé.
July 28, 2017
Review: The Singing Violin (Australian Brandenburg Orchestra)
Sinkovsky's the star in an evening of baroque pearls.
July 27, 2017
Review: Chamber 8 on Tour (Australian World Orchestra)
AWO’s crack squad delivers top-notch Beethoven and Dvořák.
July 26, 2017
Review: Operativo III (Carnevale Italian Festival)
A hugely enjoyable staple of Adelaide's cultural diet.
July 23, 2017
Review: St Nicolas (Sydney Chamber Choir)
Brett Weymark and SCC would have made Richard Gill proud, not to mention Britten.
July 23, 2017