Review: Proud Folk (Selby & Friends)
Three fine players, three distinctive compositional voices.
July 14, 2017
Review: Sitkovetsky Trio – Melbourne (Musica Viva Australia)
A high standard set at the beginning of a national tour.
July 10, 2017
Review: Sitkovetsky Trio – Brisbane (Musica Viva Australia)
Infectious sincerity, wild energy and impressive unity.
July 10, 2017
Review: Verbitsky & WASO (West Australian Symphony Orchestra)
Glittering, honeyed sound and impressive coherence from Verbitsky and WASO.
July 10, 2017
Review: Cloud Nine (Sydney Theatre Company)
A stunning production of Caryl Churchill's thrillingly inventive, shape-shifting play.
July 8, 2017
Review: High Noon (Sydney Symphony Orchestra)
A compact concert bursting with fine chamber playing.
July 7, 2017
Review: The Rover (Belvoir St Theatre)
A joyous romp with a festively porous fourth wall.
July 6, 2017
Review: The Winter’s Tale (The Royal Ballet, QPAC)
A true story ballet that perfectly marries music with movement.
July 6, 2017
Review: Orli Shaham in Recital (Sydney Symphony Orchestra)
Shaham's forward and back Brahms odyssey appeals to head and heart.
July 4, 2017
Review: Behzod Abduraimov (Utzon Series)
Young Uzbek virtuoso lights up the Utzon to spectacular effect.
July 3, 2017
Review: Melvyn Tan & Haydn’s Paris (Australian Haydn Ensemble)
Bouncy, characterful Mozart from Melvyn Tan and AHE.
July 2, 2017
Review: Archè (Melbourne Ballet Company)
A new look at one of ballet’s best-loved stories.
July 1, 2017
Review: Das Lied von der Erde (Melbourne Symphony Orchestra)
Two mature works superbly realised by the Melbourne Symphony Orchestra.
June 30, 2017