Review: Mr Burns, A Post-Electric Play (Belvoir & State Theatre Company South Australia)
A thought-provoking exploration of story-telling and the fragility of memory.
May 21, 2017
Review: Unfinished Romance (Australian Romantic & Classical Orchestra)
ARCO finished splendidly with an unfinished masterpiece.
May 21, 2017
Review: Who’s Afraid of Virginia Woolf? (Ensemble Theatre)
A stunning production powered by Genevieve Lemon's blistering, quicksilver performance.
May 20, 2017
Review: Nobuyuki Tsujii plays Chopin (Sydney Symphony Orchestra)
The SSO finds its sea legs in Berlioz’s Pirate Overture.
May 20, 2017
Review: Minnie & Liraz (Melbourne Theatre Company)
Lally Katz’s laugh-out-loud peek inside a retirement village reveals how regret, ambition and the funny side of life never grow old.
May 19, 2017
Review: Trouble in Tahiti (Lost and Found Opera)
Lost and Found gives Bernstein's loveless suburban marriage a voyeuristic twist.
May 15, 2017
Review: Swan Lake (Queensland Ballet)
A serenade of swans comes to QPAC as Queensland Ballet presents Swan Lake.
May 14, 2017
Review: Black is the New White (Sydney Theatre Company)
A quick-witted, sharp-as-a-tack Australian Rom Com.
May 11, 2017
Review: Angela Hewitt (Musica Viva)
A lifetime's experience served up in two hours of musical heaven.
May 8, 2017
Review: Songs from the Bush (Omega Ensemble)
Lyricism and subtlety in a programme that favoured tranquility over excitement.
May 8, 2017
Review: Why do the nations? (Canberra International Music Festival)
Like the best festival programmes, this is one to provoke debate and disagreement.
May 8, 2017
Review: From Russia With Love (The Metropolitan Orchestra)
Sydney's Met musos indulge in a little musical vodka.
May 7, 2017
Review: La Sonnambula (Victorian Opera)
Jessica Pratt could bring the house down in her sleep.
May 7, 2017