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Classical Music, Opera
Live Review

Review: Carmen (Handa Opera on Sydney Harbour, Opera Australia)

With plenty of colour and spectacle, lovers of Carmen's hits won't be disappointed.

March 25, 2017
Dance
Live Review

Review: Raw (Queensland Ballet)

Queensland Ballet brings raw emotion to the Playhouse stage with this stunning triple bill.

March 21, 2017
Chamber, Classical Music
Live Review

Review: Boccherini Night Streets (Australian Haydn Ensemble)

Good music, fine playing and intelligent programming.

March 20, 2017
Classical Music, Opera, Orchestral
Live Review

Review: Rufus Wainwright (Adelaide SO, Adelaide Festival)

Judy's ruby slippers dazzled, as did the vocally brilliant Jacqueline Dark singing Régine Saint Laurent.

March 19, 2017
Chamber, Classical Music
Live Review

Review: Epic Fragment (The Australia Piano Quartet)

Riveting performances of neglected youthful masterpiece and epic Romantic smasher.

March 17, 2017
Dance, Theatre
Live Review

Review: Backbone (Gravity & Other Myths, Adelaide Festival)

Magnetic world premiere, a perfect combination of fluidity, mettle and danger.

March 16, 2017
Classical Music
Live Review

Review: Symphony for the Common Man (Sydney Symphony Orchestra)

Northey proves the world needs more Copland and less you know who.

March 16, 2017
Classical Music, Opera
Live Review

Review: The Sleeping Beauty (Victorian Opera)

A stunning production by Victorian Opera of a rarely performed Respighi treasure.

March 14, 2017
Classical Music, Orchestral
Live Review

Review: QSO, Fritzsch & Howard (Queensland Symphony Orchestra)

Rare musicians of the finest calibre in a thoughtful and provocative QSO concert.

March 13, 2017
Theatre
Live Review

Review: The Chemsex Monologues (Dragonflies Theatre, Adelaide Fringe)

A journey into the dark side of the chemically enhanced gay scene.

March 13, 2017
Chamber, Classical Music
Live Review

Review: La Gaia Scienza (Adelaide Festival)

The Italian ensemble fail to captivate in a performance marred by tuning issues, wrong notes and a lack of verve.

March 13, 2017
Classical Music, Opera
Live Review

Review: The Japanese Princess (Lyric Opera of Melbourne)

Saint-Saëns’ charming comic opera receives a delightful Australian premiere.

March 12, 2017
Classical Music, Orchestral
Live Review

Review: Peter and the Wolf (Adelaide Symphony Orchestra, Adelaide Festival)

Miriam Margolyes and the ASO are a dream team, their respect and love for orchestral music is infectious.

March 12, 2017

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