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Classical Music, Film, Orchestral
Live Review

Review: Koyaanisqatsi Live (Philip Glass Ensemble)

A live rendition of Glass's iconic hyper-score still thrills decades on.

March 12, 2017
Theatre
Live Review

Review: The Bleeding Tree (Sydney Theatre Company/Griffin)

This restaged Gothic murder ballad thrills with its grisly poetry and razor-sharp production.

March 11, 2017
Musical Theatre & Cabaret, Theatre
Live Review

Review: Calamity Jane (One Eyed Man Productions, Hayes Theatre)

Virginia Gay's Calamity is just one of the joys to be found in these Black Hills of Dakota.

March 11, 2017
Musical Theatre & Cabaret
Live Review

Review: A Night in Paris II (Louise Blackwell)

Be transported back to the Left Bank and the smells of patisseries and resistance.

March 10, 2017
Classical Music, Opera, Orchestral, Vocal & Choral
Live Review

Review: Monteverdi’s L’Orfeo (Concerto Italiano, Adelaide Festival)

Musically mind-blowing – a highly talented, intelligent collaborative period music ensemble.

March 7, 2017
Classical Music, Instrumental
Live Review

Review: Daniil Trifonov in Recital (Sydney Symphony Orchestra)

Virtuosity and poetry from the young Russian in a truly memorable recital.

March 6, 2017
Chamber, Classical Music
Live Review

Review: Arc Electric (Ensemble Offspring, All About Women)

Intoxicating textures and colours combine in a feast of strange and vivid imagery.

March 6, 2017
Classical Music, Orchestral
Live Review

Review: Classique (Camerata)

A beautifully presented programme radiating professionalism and polish.

March 5, 2017
Theatre, Visual Art
Live Review

Review: Gardens Speak (Adelaide Festival)

This beautifully conceived interactive installation is an act of remembrance and of gentle protest.

March 5, 2017
Theatre
Live Review

Review: Richard III (Schaubühne Berlin, Adelaide Festival)

Eidinger’s pissing and puking monarch is the dark heart of Ostermeier’s Germanic staging.

March 5, 2017
Theatre
Live Review

Review: Chimerica (Sydney Theatre Company)

The complexities of China and America explored with compelling energy and dramatic dexterity.

March 5, 2017
Dance, Theatre
Live Review

Review: Intimate Space (Restless Dance Theatre, Adelaide Festival)

Dynamic world premiere is a close encounter that charms and disarms.

March 4, 2017
Classical Music, Opera
Live Review

Review: Saul (Glyndebourne Opera, Adelaide Festival)

Kosky’s baroque extravaganza could power SA’s electricity grid for a month.

March 3, 2017

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