Kosky’s baroque extravaganza could power SA’s electricity grid for a month.

It tells an extraordinary story and is enjoyable on that level, but the play doesn't resonate as great drama.

Kate Mulvany juggles charming wit and cunning ruthlessness in a visceral performance as the “bunch-back'd” king.

Trifonov storms the heavens in an evening of young men's masterpieces.

Eighth Blackbird delivers tight-as-a-drum ensemble work and irresistible momentum.

Cutting edge Beethoven from La La Land foursome.

Greta Bradman shines in her first outing for Opera Australia, in Edwards' Weimar Bohème.

An interesting darker take on Michael Gow's beloved play, though some of the magic is lost.

Drawn from Jonathan Young's own experience, Betroffenheit is a bleak unrelenting stare at raw human grief.

Robertson’s wild, dancing programme is a fascinating study in orchestral colours and textures.

Krymov's puppets tell a darkly visual tale of Shostakovich and his time.

Declan Greene's queer farce gets audiences laughing hard and thinking even harder.