Review: The Tempest (Royal Shakespeare Company Live)
Simon Russell Beale’s Prospero really is such stuff as dreams are made on.
Simon Russell Beale’s Prospero really is such stuff as dreams are made on.
An attractive concert of chamber favourites kicks off Omega's year.
A perfect match creates a youthful supergroup of unfettered imagination and immense control.
Alondra de la Parra delivers provocative, persuasive Mahler in her first official outing as MD.
Vengerov launches Robertson's fourth season with a touch of Russian fire.
Joseph Nolan pulls out all the stops and is 'knighted' for his pains.
An off the rails, porcelain bus ride, exposing the worst of humanity.
With stunning sets and deftly built tension, Bell’s Tosca has earned its place in OA’s rep.
The Song Company delivers a strange yet compelling ‘kind-of-opera’ about an unusual musical life.
Great value in this accomplished presentation of a period piece, but not without irony.
The Flick is an absorbing and well-crafted play that amuses and disturbs.
The screening of a live performance of the musical Newsies makes for a feel-good cinema experience.
Celebratory and harrowing, Maqoma demands to be seen and heard.