A stark staging at Red Stitch leaves Joanna Murray-Smith's divorce drama out in the cold.

This G&S classic, performed by a cast of just five, is wonderfully silly, joyous fun, even though the second act could do with some finessing.

This new play by Patricia Cornelius explores the importance and price of dissent with varied impact.

This rollercoaster satire on the current state of American politics makes for a wildly entertaining ride.

Inspired by a true story, Lillian Hellman's drama about the malevolent power of gossip and insinuation proves plenty gripping.

Max Richter and the American Contemporary Music Ensemble delivered precisely what’s on the tin and then some.

Glamour, passion, gunfire and chorales make for a heady mix from Latvia’s talented Balanas Sisters.

The little company that could presents opera’s longest work in a vast space that proves surprisingly perfect.

You won’t see a more agile 90 minutes of solo acting this year – or an indie production more deserving of a return season.

Playing the recently installed organ at St James' Sydney, Joseph Nolan makes light work of some challenging material.

The interrogation of US national security translator Reality Winner transformed into a perfect work of theatre for this age of uncertainty.

This contemporary retelling of the doomed love story of Orpheus and Eurydice, combined with another Greek myth, makes for a surprising, thrilling musical.