Southern Cross Soloists' patchwork of Strauss waltzes, Beethoven and a piece reflecting on the LA fires doesn't quite hang together.

A bold and dazzling "cyber-opera" reimagines grief through music, movement and mesmerising visuals.

Hans throws himself the a raucous birthday party. Pass-the-parcel included.

Joan Lindsay’s 1967 novel Picnic at Hanging Rock transformed into an electrifying post-modern ripping yarn.

QSO and Brisbane’s ingenious Circa reached stratospheric heights in a world first circus interpretation of Stravinsky's The Rite of Spring. 

In Larsen C, choreographer Christos Papadopolous reveals a creative impulse that is unique, visually intriguing and virtuosic.

Simone Young wields her magic Mahler wand to set the SSO’s new season on its way.

Never Have I Ever's central question is one that reverberates through contemporary discourse: Who, exactly, has it the worst?

Director Robyn Nevin delivers more good old-fashioned British intrigue and murder with her second Agatha Christie play.

Andrew Bovell distills a century of political violence and secrecy into the story of a Madrid family struggling with its demons.

A stark staging at Red Stitch leaves Joanna Murray-Smith's divorce drama out in the cold.

This G&S classic, performed by a cast of just five, is wonderfully silly, joyous fun, even though the second act could do with some finessing.