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Classical Music, Opera
Live Review

Review: La Bohème (Opera Australia)

Greta Bradman shines in her first outing for Opera Australia, in Edwards' Weimar Bohème.

February 25, 2017
Theatre
Live Review

Review: Away (Sydney Theatre Company, Malthouse Theatre)

An interesting darker take on Michael Gow's beloved play, though some of the magic is lost.

February 24, 2017
Dance
Live Review

Review: Betroffenheit (Kidd Pivot & Electric Company Theatre, PIAF)

Drawn from Jonathan Young's own experience, Betroffenheit is a bleak unrelenting stare at raw human grief.

February 24, 2017
Classical Music, Orchestral
Live Review

Review: Colour and Movement (Sydney Symphony Orchestra)

Robertson’s wild, dancing programme is a fascinating study in orchestral colours and textures.

February 23, 2017
Classical Music, Theatre
Live Review

Review: Opus No. 7 (Dmitry Krymov Laboratory, PIAF)

Krymov's puppets tell a darkly visual tale of Shostakovich and his time.

February 23, 2017
Theatre
Live Review

Review: The Homosexuals, or ‘Faggots’ (Malthouse Theatre)

Declan Greene's queer farce gets audiences laughing hard and thinking even harder.

February 22, 2017
Film, Theatre
Live Review

Review: The Tempest (Royal Shakespeare Company Live)

Simon Russell Beale’s Prospero really is such stuff as dreams are made on.

February 21, 2017
Chamber, Classical Music
Live Review

Review: Haydn and Mozart (Omega Ensemble)

An attractive concert of chamber favourites kicks off Omega's year.

February 20, 2017
Chamber, Classical Music
Live Review

Review: Australian String Quartet & Arcadia Winds (PIAF)

A perfect match creates a youthful supergroup of unfettered imagination and immense control.

February 20, 2017
Classical Music, Orchestral
Live Review

Review: QSO, Alondra and Mahler 1 (Queensland Symphony Orchestra)

Alondra de la Parra delivers provocative, persuasive Mahler in her first official outing as MD.

February 20, 2017
Classical Music, Orchestral
Live Review

Review: Vengerov plays Brahms (Sydney Symphony Orchestra)

Vengerov launches Robertson's fourth season with a touch of Russian fire.

February 20, 2017
Classical Music, Instrumental
Live Review

Review: Organ Grandeur (Sydney Symphony Orchestra)

Joseph Nolan pulls out all the stops and is 'knighted' for his pains.

February 19, 2017
Theatre
Live Review

Review: Trainspotting (Andrew Kay & Associates & Adelaide Festival Centre)

An off the rails, porcelain bus ride, exposing the worst of humanity.

February 18, 2017

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