Review: Peter and the Wolf (Adelaide Symphony Orchestra, Adelaide Festival)
Miriam Margolyes and the ASO are a dream team, their respect and love for orchestral music is infectious.
Miriam Margolyes and the ASO are a dream team, their respect and love for orchestral music is infectious.
A live rendition of Glass's iconic hyper-score still thrills decades on.
This restaged Gothic murder ballad thrills with its grisly poetry and razor-sharp production.
Virginia Gay's Calamity is just one of the joys to be found in these Black Hills of Dakota.
Be transported back to the Left Bank and the smells of patisseries and resistance.
Musically mind-blowing – a highly talented, intelligent collaborative period music ensemble.
Virtuosity and poetry from the young Russian in a truly memorable recital.
Intoxicating textures and colours combine in a feast of strange and vivid imagery.
A beautifully presented programme radiating professionalism and polish.
This beautifully conceived interactive installation is an act of remembrance and of gentle protest.
Eidinger’s pissing and puking monarch is the dark heart of Ostermeier’s Germanic staging.
The complexities of China and America explored with compelling energy and dramatic dexterity.
Dynamic world premiere is a close encounter that charms and disarms.