Review: Trevor Ashley in Barbra and Me (Ensemble Theatre)
A born entertainer thanks Streisand for the music and memories in an inimitable way.
September 18, 2017
Review: Revolutionary Romance (Australian Romantic & Classical Orchestra)
A wonderfully intimate offering from Richard Gill's ARCO Chamber Soloists.
September 18, 2017
Review: Debussy String Quartet (Utzon Series)
Gorgeous Gallic flair and something completely different.
September 18, 2017
Review: Dinner (Sydney Theatre Company)
With vicious repartee and wounding games, this is a dinner to remember.
September 16, 2017
Review: Diving for Pearls (Griffin Theatre Company)
Katherine Thomson's 1991 play is as powerful and poignant as ever.
September 16, 2017
Review: The Great Gatsby (West Australian Ballet)
David Nixon's ballet captures the decadence of the 1920s to perfection.
September 15, 2017
Review: The Tale of Orpheus (Melbourne Conservatorium)
Erin Helyard and team create a fertile ground for creative collaboration and innovation.
September 15, 2017
Review: Altstaedt & Madžar (Musica Viva Australia)
Altstaedt and Madžar make light work of a heavy programme.
September 14, 2017
Review: Prom 37: Rachmaninov Piano Concerto No 3 (BBC SSO/Alexander Gavrylyuk)
Eminent Australian pianist Roger Woodward takes his hat off to the genius of Alexander Gavrylyuk.
September 13, 2017
Review: Orpheus (Brisbane Festival)
A not-to-be-missed refreshing interpretation of the Orpheus story.
September 13, 2017
Review: Alice’s Adventures in Wonderland (The Australian Ballet)
A visual feast that brings an iconic story to life.
September 12, 2017
Review: Inspiring Wagner (West Australian Symphony Orchestra)
Fisch and WASO deliver music-making to set the pulse racing.
September 7, 2017
Review: Grieg and Beyond (Australian Chamber Orchestra)
Bold, high-energy Grieg from Kraggerud and the ACO.
September 6, 2017