★★★☆☆ Donizetti’s French favourite at La Fenice boasts fine singing but a misguided production. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
★★★★☆ Caroline O’Connor’s Fanny Brice shows why her reputation as the nation’s most gifted entertainer is so richly deserved. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
★★★★½ A master conducting a master, Simone Young proves she is at the top of her game. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
★★★★½ A behind-the-scenes look at Wagner’s influence in words and music. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The finalists show off their Romantic chops in the 19th/20th Century Concerto Rounds.
★★★★☆ Australian Dane Lam conducts a fine performance with a firm grasp of Rossini’s style. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Three more finalists do battle with stunning Mozart concerti, and we see the first piano change of the finals.
★★★★★ A spiritually profound, sensuously crafted performance from the Rolls-Royce of choirs. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The first set of finalists battle it out with a trio Mozart concerti
A beautiful production where gentle comedy makes way for profound sadness.
Mozart and the two Haydns prove a crowd-pleaser for period ensemble.
Peter Evans delivers a middle-rank production of the Bard's green-eyed tragedy.
★★★☆☆ A concert that doesn’t defy gravity but has moments of magic. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
