Review: Never Tilt Your Chair Back on Two Legs (Tura New Music, PICA)
Kate Neal’s ear for the intricate and eye for flair created a complex metallic sound world.
Kate Neal’s ear for the intricate and eye for flair created a complex metallic sound world.
Jonathan Biggins' new play Talk canvasses a hot topic but the satire often fails to fire.
Rock solid a cappella mastery in a thoughtful programme by Sam Allchurch.
William Barton left the audience deeply moved by an experience that had touched them to the core.
A fine outing of an underappreciated Passion – with a new HIP band to boot.
This farcical play-within-a-play is a real hoot.
Mulvany’s smart, funny and fast-paced farce picks up the foibles of history and runs with them.
Young dancers, both amateur and professional, deliver an exciting interpretation of William Golding’s novel.
Carl Vine's Hallucinations prove a hypnotic new addition to the trombone rep.
Baroque sacred music gets a theatrical makeover in a bold outing by the Melbourne Con.
Les Arts proves the madrigal is more than just a load of old nymphs and shepherds.
A mixed triple bill showcasing the physical power of contemporary ballet.
The classically trained opera turned indie pop singer delivers a night richly laden with artistry.