Review: King Roger (Opera Australia, Sydney Festival)
Szymanowski rarity marries spectacular staging with an intense erotic charge.
Szymanowski rarity marries spectacular staging with an intense erotic charge.
Relentlessly obsessive and fragmented, Nicole Lizée's works tease apart familiar scenes and sounds.
One man and his microphones make you believe you've been up the Amazon.
Alison Whyte delivers a stunning performance as a Mary who refuses to have her story dictated by others.
Combining history, feminism and gorgeous vocals, this cabaret about gin is a real tonic.
A joyous yarn about an Indigenous family told with cheeky humour and lots of heart.
A powerful, immersive soundscape that harnesses the resonant space of the Sydney Town Hall.
Michieletto flashes his verismo credentials as Torre goes for double gold.
Benjamin Northey is expressive and authoritative in superb performances of works by the Finnish master.
Abi Tucker seduces with songs by Tim Finn and Dorothy Porter about love, lust and heartache.
Gabriel Dharmoo’s fun, quirky display of vocal gymnastics explores darker themes of cultural colonisation and Exoticism.
A dynamic play with a cumulative emotional force about a young Congolese-Australian boxer facing his demons.
A boldly staged Russian language production brings impressive clarity to a famously problematic play.