Review: Saint-Saëns’ Organ Symphony (Sydney Symphony Orchestra)
Two 20th century masterpieces dynamically performed by two 21st century stars – María Dueñas and Anna Lapwood.
Two 20th century masterpieces dynamically performed by two 21st century stars – María Dueñas and Anna Lapwood.
Luminescence shine a vivid light on Gesualdo’s astonishing dark masterpiece.
There’s a new lightness and feeling of joy in the third opera in Barrie Kosky’s mesmerising Ring Cycle. Catch it at cinemas here.
Sublime saxes and Simon Tedeschi's piano brilliance light up a celebration of American Songbook classics.
Jessica Cottis inspires orchestra and audience alike in an accomplished concert unified by themes of friendship.
Michael Nyman’s chamber opera about a man with a curious neurological condition makes a rare appearance for its 40th anniversary.
Benjamin Law's mainstage debut unpacks family dynamics and the complex psychology of hoarding.
A fine cast led by Lauren Fagan as Tatyana brings Kasper Holten’s cerebral production to life, but it is Nicholas Jones as Lensky who steals the show and our hearts.
Libby O'Donovan has made a habit of delivering the goods; her new show continues the trend.
Under conductor Long Yu, the Shanghai Symphony Orchestra cooks up a storm.
Making her Australian debut, María Dueñas's uncompromising lyricism and impeccable control draws the audience into every note.
A fine production engages the mind; the richness and depth of Verdi’s melodic invention stuns the senses.
HIP Company starts its 2026 season with another example of its imaginative and carefully considered programming.