Review: Brahms’ Triumph (West Australian Symphony Orchestra)
WASO ends its 2024 classical concert season on a towering high.
WASO ends its 2024 classical concert season on a towering high.
A nativity-themed program of sublime singing, complex harmonies and exemplary musicianship.
A towering performance of Mahler’s Symphony No. 1, the 'Titan', and Kate Suthers’ splendid Mendelssohn violin concerto, in another excellent ASO program.
With charisma to burn, Vasily Petrenko shows he’s made of the Rite stuff.
The MSO's Beethoven Festival ends on an emphatic high, buoyed by fine singing and an Auslan choir.
Rising star Tra Mi Dinh makes the hit of the night in a trio of new contemporary dance works.
A slight but sweet show, which demands stellar performances and plenty of razzle-dazzle to offset its limitations.
The MCO and the Recital Centre's acoustics endow a stripped-back Messiah with the gravitas of a much bigger production.
A consistently engaging, perfectly blended concert of changing moods, from Bach to the Beatles.
Natasha Herbert shines in this loving yet unflinching depiction of the experience of – and the caring for – someone living with dementia.
The combined forces of WASO, Clara Jumi-Kang and conductor Vasily Petrenko make for a splendid night indeed.
Joanna Erskine’s engaging drama hinges on a theory you don't have to believe in to enjoy.
With lashings of on-stage chemistry, this all-conquering Neil Armfield production of Handel's Julius Caesar is a triumph.