SOSA's revival of the venerable John Copley production remains vital and vibrant; Emma Pearson shines in title role.

Jim Hall’s tribute to Rodrigo gets its own electrifying tribute from Grabowsky and co.

Josh Batty’s dazzling flute salad makes a tasty appetiser for Simone Young’s sublime Mozart.

With friends Julian Smiles and Dimity Hall, Kathryn Selby delivers a sublime evening of European chamber music.

It is fashionable to marginalise European composers of the past, but Bach’s music still electrifies and BAA is doing invaluable work keeping his brilliance alive.

Kate Mulvany's semi-autobiographical drama convincingly depicts a family haunted by the echoes of war.

Gavrylyuk captivates with his phenomenal execution, interpretative insight and wonderfully expressive left hand.

Riffing on a real event, Joanna Murray-Smith's farce about a famous feminist taken hostage piles on the laughs.

A riotous explosion of outrageous theatrical sights and sounds from Ensemble Q.

Eugène Ionesco's absurd play reminds us that if there’s anything scarier than a stampeding rhinoceros – it’s becoming one.

The interwoven stories of siblings Fanny and Felix Mendelssohn told in well-chosen words and first-rate, no-fuss musicianship.

In this intimate two-hander, the line between caregiver and companion, human and machine, is a shifting frontier.