Three French works – only one familiar – in a relaxed but highly energised chamber concert.

Guest violinist Johan Dalene's tempestuous virtuosity on thrilling display alongside Jennifer Marten-Smith's shimmering pianism.

Led by Sheridan Harbridge, this cabaret about the trailblazing Divinyls frontwoman is passionate and entertaining but still a work-in-progress.

She's no Barbra Streisand, no Cyd Charisse, but Carlotta has few peers when it comes to connecting with an audience.

The Song Company shines in a cleverly assembled collection of songs by Baroque masters and contemporary Brits.

Overflowing with musical and visual delights, this Fairy Queen is a gorgeous night in the theatre.

David Kram’s adaptation reimagines Wagner’s magnum opus, cutting it back to an accessible 90 minutes. AI film version to come.

The devil – and more – in the detail in a spooky program featuring Bernard Herrmann's still-impactful Hitchcock score.

A newly established ensemble of staff of the University of Adelaide’s Elder Conservatorium delightfully showcases three exemplary chamber compositions.

The ‘pianist’s pianist’ Stephen Hough sprinkles some rare Mendelssohn magic with a Brahms feast to follow.

Ensemble playing of considerable accomplishment, led by a conductor of growing authority.

The connection between being and seeing – physically and metaphorically – shapes Bangarra's brilliantly illuminating new work.