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Classical Music, Orchestral
Live Review

Review: Wake Up And Die (Apex Festival, Ensemble Apex)

Ensemble Apex's inaugural festival kicks off with exciting works and wonderful energy.

October 15, 2024
Jazz
Live Review

Review: Herbie Hancock (Sydney Opera House)

Herbie Hancock rocks the Opera House with a brilliant band and 90 minutes of hard-driving, funk-infused jazz.

October 14, 2024
Theatre
Live Review

Review: La Clique (Sydney Opera House Presents & David Bates)

La Clique may be 20 years old, but this anniversary edition, featuring new acts and old favourites, is as outrageously entertaining as ever.

October 12, 2024
Theatre
Live Review

Review: Operation Boomerang (Yirra Yaakin Theatre Company)

Dr Lynette Narkle shines in a fine work exploring questions of family, Country and where one will ultimately lay one's head.

October 9, 2024
Classical Music, Vocal & Choral
Live Review

Review: Voices en Masse – Mozart’s Requiem (Tasmanian Symphony Orchestra)

More than 200 community singers and the TSO Chorus melded into a single instrument of amazing range, tonal lustre and precision.

October 8, 2024
Dance
Live Review

Review: Coco Chanel: the Life of a Fashion Icon (Queensland Ballet)

A brilliant production made by a choreographer who handles the episodic nature of the storytelling with absolute skill.

October 6, 2024
Chamber, Classical Music
Live Review

Review: Concertante (Omega Ensemble)

Omega Ensemble triumph in a program with a little bit of everything – including the world premiere of Harry Sdraulig’s Triptych.

October 5, 2024
Chamber, Classical Music
Live Review

Review: Untrodden Ways (NZTrio)

Aotearoa New Zealand’s renowned chamber ensemble, the NZTrio, vividly illuminates the piano trio form in an absorbing program of recent music.

October 5, 2024
Classical Music
Live Review

Review: Shostakovich’s First Cello Concerto (Steven Isserlis, Melbourne Symphony Orchestra)

Cellist Steven Isserlis demonstrates what a consummate artist’s total commitment to a composer's vision looks and sounds like.

October 4, 2024
Theatre
Live Review

Review: I hope this means something (Melbourne Fringe Festival)

Performer-writer Patrick Livesey invites audiences to consider the climate crisis in the context of a related existential one.

October 4, 2024
Theatre
Live Review

Review: Well-Behaved Women (Belvoir & Michelle Guthrie Presents)

Carmel Dean's witty, insightful song cycle has plenty to say, with fabulous performances from a top-notch cast.

October 4, 2024
Theatre
Live Review

Review: Mary Shelley’s Frankenstein (Shake & Stir and Crossroads Live)

Brought to life on stage with searing visuals, this Shake & Stir adaptation is a monstrously worthy addition to the Frankenstein canon.

October 3, 2024
Theatre
Live Review

Review: Seventeen (WildThingProduction and Seymour Centre)

Mature actors channel their younger selves in Matthew Whittet's poignant portrait of schoolies on the cusp of adulthood.

October 2, 2024

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