Watershed, though not strictly an opera, is everything contemporary opera should be and so rarely is.

The 1996 Broadway revival is as slick and sexy as ever, though aspects of the latest Australian production could be tougher.

Stolen is a critical part of Australia’s theatre canon, one that does not pander or provoke, but simply tells a collective truth.

Pianist Kirill Gerstein commences his 2024 Australian tour with a display of superb technique and remarkable variety of touch.

This heart-warming debut from Little Ripa explores the relationship between two very different men, both fans of LeBron James.

Theatre, drone improvisations and opera overlooking the beach. Like the Sunshine Coast itself, the SCCMF is all about variety.

Kate Miller-Heidke's always surprising Catching Diamonds is a tonic in a music world that has become too predictable.

Minus some of the festival's marquee acts, this Gala was a showcase of hidden gems and next-generation stars.

An intriguing program, with a xylophone at the end. 

Benjamin Millepied delivers a must-see neoclassical tour de force with exquisite dancing and clever camerawork that delivers a punch.

Joe White’s Blackout Songs is a compelling journey through addiction, love, and memory.

An intriguing, diverse and at times even courageous program from Melbourne Chamber Orchestra – with plenty of meat in the sandwich.