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Jazz, World
Live Review

Review: Jazz at WOMADelaide 2026

Braving the heat, Andra Jackson tuned into the jazz component of the annual world music festival's 2026 program.

March 10, 2026
Chamber, Classical Music
Live Review

Review: Mozart’s Spring (Australian Haydn Ensemble)

Australian Haydn Ensemble frames some picture-perfect quartets as old Colonials watch on.

March 10, 2026
Classical Music, Vocal & Choral
Live Review

Review: Gloria! (Sydney Philharmonia Choirs)

SPC's 2026 gets off to a steamy, Glorious three-pronged start.

March 10, 2026
Audiovisual, Experimental
Live Review

Review: Terminator 2 – Judgement Day (Hear My Eyes)

Pulsing with club beats, Peter Van Hoesen's electronic score rewires a Hollywood action classic.

March 9, 2026
Classical Music
Live Review

Review: Simone Young Conducts Britten & Vaughan Williams (Sydney Symphony Orchestra)

Two English 20th-century masterpieces in dynamic performances.

March 9, 2026
Festivals, Theatre
Live Review

Review: Mary Said What She Said (Adelaide Festival)

Isabelle Huppert is a force of nature: rag doll, witch, madwoman and plotter.

March 9, 2026
Theatre
Live Review

Review: Year of the Rooster (Spinning Plates Co. & fortyfivedownstairs)

A cautionary for any maximalist theatre-maker: more is more, until it’s too much.

March 9, 2026
Jazz, World
Live Review

Review: Robert Fonseca – La Gran Diversión (Melbourne Recital Centre)

Roberto Fonseca swaps piano spotlight for bandleader swagger in a vibrant Cuban music spectacular.

March 7, 2026
Chamber, Classical Music
Live Review

Review: Swivel and Swerve (Ensemble Lumen)

An exhilarating ride through a variety of musical idioms culminating in Ravel’s wondrous Piano Trio in A minor.

March 7, 2026
Classical Music
Live Review

Review: Tchaikovsky’s Violin Concerto (West Australian Symphony Orchestra)

Ahead of appearances across Australia, Sergej Krylov blazes in his WASO debut.

March 6, 2026
Opera
Live Review

Review: Orfeo (Ensemble Pygmalion & Adelaide Festival)

A profound musical and dramatic experience, bringing the tragedy of Orpheus and Eurydice to electrifying life.

March 5, 2026
Chamber, Classical Music
Live Review

Review: Hush (Southern Cross Soloists)

An intimate experimental program, tucking the audience under a doona of restful music to soothe the soul.

March 4, 2026
Classical Music
Live Review

Review: Strauss & Mozart (Melbourne Symphony Orchestra)

An object lesson in the art of storytelling with Maestro Martín on flute.

March 4, 2026

Posts pagination

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