Five characters in speech-making mode spin stories that take unexpected, sometimes bizarre turns.

With roots in 1990s online culture and horror movies, Bridget Mackey's two-hander explores desire, grooming and abuse.

Nadine Garner and Max McKenna are compelling as mother and daughter in this insightful, nuanced play about mental illness.

This year’s festival is off to a virtuosic start with Louise Johnson in The Harp's Journey and the Goldner String Quartet’s 30th-anniversary celebration.

A fascinating and chilling retrospective tone poem of the 20th century that could serve as a warning of the 21st.

With astute direction and a lovely performance by Erin Clare, Andrew Lloyd Webber's song cycle shines in the intimate Hayes Theatre.

That's right, a second production of Samuel D Hunter's eloquent two-hander and this one darker than the Sydney version.

The President is among the most accessible of Thomas Bernhard's plays, but don't expect an easy ride.

An expertly calibrated staging of Samuel D. Hunter's play that hooks you from the get-go and gently reels you in.

J.S. Bach's work as a teacher and mentor is spot lit in Bach Akademie Australia's season opening concert for 2024.

Ensemble Q’s The Trout was exquisite, executed with aplomb with no flounders or red herrings.

A spine-tingling concert for an audience among the first few hundred people in the world to hear a reconstruction of a 'lost' 18th century work.