Review: The Hall (Bullet Hearts Club & fortyfivedownstairs)
Natasha Herbert shines in this loving yet unflinching depiction of the experience of – and the caring for – someone living with dementia.
Natasha Herbert shines in this loving yet unflinching depiction of the experience of – and the caring for – someone living with dementia.
The combined forces of WASO, Clara Jumi-Kang and conductor Vasily Petrenko make for a splendid night indeed.
Joanna Erskine’s engaging drama hinges on a theory you don't have to believe in to enjoy.
With lashings of on-stage chemistry, this all-conquering Neil Armfield production of Handel's Julius Caesar is a triumph.
Australian String Quartet light the skies with a trio of magnetic works.
The opening night performance of the first and third symphonies gets the MSO's Beethoven Festival off to a brilliant start.
A manifestly dark, intense and complicated story illuminated by a stellar cast, clever direction and superb design.
Simone Young is both maestro and master storyteller in this perfect reading of Die Walküre, with the SSO and an all-star cast at the top of their game.
Lynn Nottage’s microcosmic Sweat shows us what happens when the American Dream becomes an impossibility for working people.
The many moods of Chinese art song, from Imperial China to the present day, illuminated in a top-drawer performance.
Even when looking back over three decades, AAO never sounds less than innovative.
Loads of laughter, tons of fun and a standing ovation on this new and family-friendly Aussie musical's opening night.
Clara-Jumi Kang "marvellously secure and commanding" in her TSO debut.