Review: August: Osage County (Belvoir)
Pamela Rabe is magnificent in Belvoir's stripped-back and electrifying production of Tracy Letts' 21st century American classic.
Pamela Rabe is magnificent in Belvoir's stripped-back and electrifying production of Tracy Letts' 21st century American classic.
An exhilarating and relevant production of this Andrew Lloyd Webber-Tim Rice classic, led by two phenomenal rock tenors.
The satirical strike rate is high, the Wharf Revue team's energy unflagging. As send-offs go, this is a good one.
This musical adaptation is as feisty and audacious as the Australian literary classic’s protagonist and author.
Sprawling, passionate and didactic, US writer Matthew López’s seven-hour epic gets a perfectly-timed Sydney premiere.
Like all good art, this solo production forces you to re-examine your assumptions and confront some revealing truths.
Entertaining swipes at capitalism, consumerism and the quest for brand authenticity, but as it is, Yoga Play is too much of a stretch.
This prequel to J.M. Barrie’s Peter Pan stories is packed with stars, puppets and laughter.
Led by the Spanish violinist Lina Tur Bonet, the refined grace of Musica Alchemica's sound is a joy to experience.
SOSA's revival of the venerable John Copley production remains vital and vibrant; Emma Pearson shines in title role.
Jim Hall’s tribute to Rodrigo gets its own electrifying tribute from Grabowsky and co.
Josh Batty’s dazzling flute salad makes a tasty appetiser for Simone Young’s sublime Mozart.
With friends Julian Smiles and Dimity Hall, Kathryn Selby delivers a sublime evening of European chamber music.