An object lesson in the art of storytelling with Maestro Martín on flute.

In tub-thumping sideshow mode or when quietly melancholic, The Tiger Lillies' musical delivery is a cut above.

Bernie Dieter's Weimar-inspired variety night leaves its audience not just entertained but galvanised.

A gala program avoids most of the usual suspects and introduces new faces.

Cabaret in format but operatic in scope, Julia Bullock’s gloriously terrifying “reincarnation” of Joséphine Baker will shake you to your core.

An insightful interrogation of what it means to live both privately and performatively, underpinned by a masterful performance.

An ideal introduction to the theatre, Slingsby’s last hurrah is a timely reminder that storytelling is vital to our survival.

Set in modern Korea, Simon Stone's adaptation of Chekhov's final play captures the tenor of our uncertain times.

WASO’s Underground series, presented with Perth Festival, has become the orchestra’s laboratory for the wilfully eclectic.

A life-altering experience for anyone present, the long-awaited Australian debut of Pygmalion under Raphaël Pichon is a music-making miracle.

William Barton and the Brodsky Quartet are friends; and it shows.

Latin rhythms, suspenseful harmonies and compelling solos in a blend of the old and new.